Born Raphaël Graven on January 26, 1979, in Woippy, France, Jean Pormanove developed into a character that combined provocative, entertainment, and unadulterated vulnerability. His life story reads like a digital cautionary tale. He was 46 years old when he passed away on August 18, 2025—a figure that could seem random until you look at the trajectory of his life. His decline into livestream madness is all the more heartbreaking because of the fact that his age puts him in a transitional period between youthful recklessness and thoughtful maturity.
He first gained notoriety in 2020, when pandemic lockdowns spurred a boom in multimedia production. Graven switched from gaming clips and TikTok to long-form streaming. He had moved away from Twitch by 2023 and established himself on Kick, a site that gave him almost complete control over his output. His listeners reacted. He was the most viewed French streamer on Kick by August 2024, and he was ranked fourth in the world in terms of views.
Jean Pormanove — Key Personal & Career Facts
| Fact | Detail |
|---|---|
| Real Name | Raphaël Graven |
| Date of Birth | January 26, 1979 |
| Place of Birth | Woippy, France |
| Date of Death | August 18, 2025 |
| Age at Death | 46 years |
| Online Alias | Jean Pormanove (also “JP”) |
| Occupation(s) | Streamer, content creator, influencer, comedian |
| Active Years | 2020 – 2025 |
| Streaming Platform | Kick (formerly Twitch, YouTube) |
| Peak Status | 4th most watched on Kick globally in August 2024; top French streamer |
| Follower Reach | ~202,000 YouTube subs; strong cross‑platform presence |
Darker notes, however, were there alongside that crescendo. His streams featured more and more “humiliation content,” boundary-pushing challenges, and intense interactions with co-streamers “Naruto” (Owen Cenazandotti) and “Safine” (Safine Hamadi). Subsequent investigations showed that he endured verbal and physical abuse over several months, including slaps, water jets, strangulation signals, and ridicule, all of which were publicly portrayed as “humorous” parts.
An “abuse business” involving his streams was revealed by Mediapart’s investigative journalism in December 2024; vulnerable individuals were dehumanized or abused in order to encourage audience donations and emotions. Prosecutors in Nice launched investigations into potential intentional violence, the exploitation of weaker people, and the dissemination of violent content shortly after, in January 2025.
The last broadcast was a siege as well as a performance. Graven’s 46th year came to an end in a broadcast that lasted hundreds of hours—reportedly close to 298 hours in total—rather than with a moment of introspection. According to accounts, he suffered from respiratory difficulty during that marathon and died while sleeping while doing a live broadcast. With millions watching, that moment turned his online persona into a tragic deed.
Crucially, according to French authorities, neither physical trauma nor outside interference was the cause of his death. No visible or internal injuries consistent with lethal violence were discovered during the autopsy. Given his known thyroid and heart conditions, the etiology might have medical or chemical origins.
This circumstance puts the question of whether 46 was pushed past human tolerance at the center of discussions. Or did psychological strain and his physical vulnerabilities combine to cause his death? One should have some reserve and resilience at age 46, but Graven’s body failed him since his ecosystem needed escalation.
Digital memory was etched with his last hours. In a video tape taken just before his death, conspirators are shown pressuring him to confess on camera that his “shitty health” would be the reason for his death rather than their acts. Grief is brought into starker relief by that pressured framing—at 46, still quite young.
Graven’s age of 46 further emphasizes how algorithmic requirements and human limits collide. Sensationalism, escalation, and endurance are rewarded on streaming services. As we age, our mental fortitude deteriorates. He lived in the liminal space between technological advancement and human decay.
His death’s aftermath has forced a reckoning. Kick was sued by French authorities for carelessness. The “absolute horror” of months of humiliation was brought to the attention of digital ministers. The examination of content standards was requested of regulators. Some fear that this event will change how platforms handle live abuse, protect creators, and define boundaries around provocation.
46 years is a warning and a bridge for a generation of creators who are watching. Graven’s storyline demonstrates how self-erasure can result from a fixation with metrics. He may not have aged, but his journey falls halfway between the expectations of perseverance in midlife and the reckless extremes of youth.
